RAOUL HAUSMANN
Raoul Hausmann (July 12,
1886 – February 1, 1971) was an Austrian artist and writer. One of the key
figures in Berlin Dada, his experimental photographic collages, sound poetry
and institutional critiques would have a profound influence on the European Avant-Garde
in the aftermath of World War I. Raoul Hausmann was born in Vienna but moved to
Berlin with his parents at the age of 14, in 1901.His earliest art training was
from his father, a professional conservator and painter. He met Johannes Baader,
an eccentric architect and another future member of Dada, in 1905. At around
the same time he met Elfride Schaeffer, a violinist, whom he married in 1908, a
year after the birth of their daughter, Vera. That same year Hausmann enrolled
at a private Art School in Berlin, where he remained until 1911. His is an artist and writer associated with
the Dada movement in Berlin.
The International Dada Archive has
extensive holdings of works by and about Hausmann. The Archive has microfilmed
the Hausmann papers in Limoges. Other microfilmed collections with substantial
material by or about Hausmann are the Hannah-Hsch-Nachlass at the Berlinische
Galerie, the Schwitters-Archiv at the Stadtbibliothek Hannover and the Michael
Erlhoff Collection in Hanover.
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“Dada conquerors” Raoul Hausmann 1920
This painting shows a number of people who are
talking and planning of a way of action. Men talking to each other, or they
standing and thinking alone, I think Haussmann is trying to talk about aspect
of his personal life as someone who studied anatomy, from the picture or piece
of the human brain and also bring the dada culture in practice looking at the
world map with the dada culture in it.
GEORGE GROSZ
George Grosz was born in Berlin, Germany, the son of a pub owner. His parents were devoutly Lutheran. Grosz grew up in the Pomeranian town, where his mother became the keeper of the local Hussar's Officers' mess after his father died in 1901. At the urging of his cousin, the young Grosz began attending a weekly drawing class taught by a local painter named Grot. Grosz developed his skills further by drawing meticulous copies of the drinking scenes of Eduard von Grützner, and by drawing imaginary battle scenes. From 1909–1911, he studied at the Dresden Academy of Fine Arts. He subsequently studied at the Berlin College of Arts and Crafts under Emil Orrick.
In November 1914 Grosz volunteered for military service, in the hope that by thus preempting conscription he would avoid being sent to the front. He was given a discharge after hospitalization for sinusitis in 1915. In 1916 he changed the spelling of his name to George Grosz as a protest against German nationalism and out of a romantic enthusiasm for America that originated in his early reading of the books of James Fenimore Cooper, Bret Harte and Karl May, and which he retained for the rest of his life. (His artist friend and collaborator Helmut Herzfeld changed his name to John Heartfield at the same time.) In January 1917 he was drafted for service, but in May he was discharged as permanently unfit.
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| "People," George Grosz, 1919 |
“People” George Grosz, 1919
In this piece we can see people going about their way of life and how busy they day can be for everybobdy. People with different form of carrer , looks like they are going to work. Looking at the man in his uniform and the others dressed in a profersional maner. I think George in this piece is telling us how life was and how the people went about it.
http://sdrc.lib.uiowa.edu/dada/dadas/hausmann


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